The Screenwriting Life

Welcome to The Screenwriting Life, a podcast where Oscar-nominated writer Meg LeFauve and Emmy-nominated writer Lorien McKenna discuss not only the craft and business of Screenwriting, but also the emotional life: the ups and downs of being a creative, to remind you that you are not alone and to keep writing.

Explore more shows on the Talkhouse Podcast Network.

Talks

259 | Costume As Character: What & What Not To Include in Your Screenplay (ft. Courtney Hoffman)

By The Screenwriting Life | August 7, 2025

259 | Costume As Character: What & What Not To Include in Your Screenplay (ft. Courtney Hoffman)

258 | THE STUDIO Co-Creator on Keeping Satire Authentic and Grounded (ft. Frida Perez)

By The Screenwriting Life | July 31, 2025

258 | THE STUDIO Co-Creator on Keeping Satire Authentic and Grounded (ft. Frida Perez)

257 | Getting Repped in a Post-Strike Industry – Part 2 (ft. Daniela Gonzalez & Garrett Greer)

By The Screenwriting Life | July 24, 2025

257 | Getting Repped in a Post-Strike Industry – Part 2 (ft. Daniela Gonzalez & Garrett Greer)

256 | Getting Repped in a Post-Strike Industry – Part 1 (ft. Daniela Gonzalez & Garrett Greer)

By The Screenwriting Life | July 17, 2025

256 | Getting Repped in a Post-Strike Industry – Part 1 (ft. Daniela Gonzalez & Garrett Greer)

Indie Film Craft 3 | How to Get Life Rights As an Indie Filmmaker (and Make the Biopic Indie Audiences Actually Want) ft. The Bragg Brothers

By The Screenwriting Life | July 10, 2025

Indie Film Craft 3 | How to Get Life Rights As an Indie Filmmaker (and Make the Biopic Indie Audiences Actually Want) ft. The Bragg Brothers

255 | From Finalist to Staffed: How Austin Film Festival Helped Us Break In (ft. Sylvia Batey Alcalá & Mac Smullen)

By The Screenwriting Life | July 3, 2025

255 | From Finalist to Staffed: How Austin Film Festival Helped Us Break In (ft. Sylvia Batey Alcalá & Mac Smullen)

253 | Producing a Hit Studio Movie: What Writers Should Know ft. Sheila Hanahan Taylor (Final Destination: Bloodlines)

By The Screenwriting Life | June 19, 2025

253 | Producing a Hit Studio Movie: What Writers Should Know ft. Sheila Hanahan Taylor (Final Destination: Bloodlines)

252 | Creating a Complex Protagonist with a Simple Goal ft. Kim Rosenstock (Dying for Sex)

By The Screenwriting Life | June 12, 2025

252 | Creating a Complex Protagonist with a Simple Goal ft. Kim Rosenstock (Dying for Sex)

251 | Writing with Your Partner (in Life & Work): Joe Forte on Collaboration, Mentorship, and Creative Retreats

By The Screenwriting Life | June 5, 2025

251 | Writing with Your Partner (in Life & Work): Joe Forte on Collaboration, Mentorship, and Creative Retreats

250 | Jac Schaeffer (WandaVision, Agatha All Along): Having a “Take” When Pitching on IP — or Anything

By The Screenwriting Life | May 29, 2025

250 | Jac Schaeffer (WandaVision, Agatha All Along): Having a “Take” When Pitching on IP — or Anything

Indie Film Craft 2 | Trey Edward Shults on Working With The Weeknd, The Role Of The Camera & Vulnerable Storytelling

By The Screenwriting Life | May 15, 2025

Indie Film Craft 2 | Trey Edward Shults on Working With The Weeknd, The Role Of The Camera & Vulnerable Storytelling

245 | How To Pivot Genres and “Re-Brand” Yourself As A Writer (ft. Carla Banks-Waddles)

By The Screenwriting Life | April 17, 2025

245 | How To Pivot Genres and “Re-Brand” Yourself As A Writer (ft. Carla Banks-Waddles)

Indie Film Craft 1 | Tyler Nilson and Michael Schwartz (Peanut Butter Falcon, Los Frikis) Discuss Authentic Collaboration

By The Screenwriting Life | March 27, 2025

Indie Film Craft 1 | Tyler Nilson and Michael Schwartz (Peanut Butter Falcon, Los Frikis) Discuss Authentic Collaboration

242 | Welcome To Wrexham Showrunner John Henion Discusses Theme As A Central Creative Throughline

By The Screenwriting Life | March 21, 2025

242 | Welcome To Wrexham Showrunner John Henion Discusses Theme As A Central Creative Throughline

241 | Bob’s Burgers Executive Producers & The Great North Creators Discuss Adult Animation

By The Screenwriting Life | March 13, 2025

241 | Bob’s Burgers Executive Producers & The Great North Creators Discuss Adult Animation

238 | How To Create and Maintain a Screenwriting Career Outside of LA or NY (ft. Will Fetters and Chris Sparling)

By The Screenwriting Life | February 20, 2025

238 | How To Create and Maintain a Screenwriting Career Outside of LA or NY (ft. Will Fetters and Chris Sparling)

237 | Malcolm Washington & Virgil Williams (The Piano Lesson) On Adapting One August Wilson’s Pulitzer-Winning Masterpiece

By The Screenwriting Life | February 13, 2025

237 | Malcolm Washington & Virgil Williams (The Piano Lesson) On Adapting One August Wilson’s Pulitzer-Winning Masterpiece

236 | Liz Feldman (Dead To Me, No Good Deed): Writing is Self-Destruction, Self-Reflection, and Self-Correction

By The Screenwriting Life | February 6, 2025

236 | Liz Feldman (Dead To Me, No Good Deed): Writing is Self-Destruction, Self-Reflection, and Self-Correction

234 | Why Fairy Tales Are The Foundation For Modern Storytelling (ft. Kelly Younger)

By The Screenwriting Life | January 23, 2025

234 | Why Fairy Tales Are The Foundation For Modern Storytelling (ft. Kelly Younger)

230 | Sing Sing Writer Clint Bentley: Creating Character Arcs Based On Real Lives

By The Screenwriting Life | January 2, 2025

230 | Sing Sing Writer Clint Bentley: Creating Character Arcs Based On Real Lives

227 | Oscar-Nominated Writer Susannah Grant (Erin Brockovich, Unbelievable): “Know The Difference Between Truth and Facts”

By The Screenwriting Life | December 19, 2024

227 | Oscar-Nominated Writer Susannah Grant (Erin Brockovich, Unbelievable): “Know The Difference Between Truth and Facts”

226 | Challengers/Queer Writer Justin Kuritzkes: Asking The Right Questions While Writing

By The Screenwriting Life | December 12, 2024

226 | Challengers/Queer Writer Justin Kuritzkes: Asking The Right Questions While Writing

222 | The Perfect Couple Showrunner on How To Craft A Murder Mystery (ft. Jenna Lamia)

By The Screenwriting Life | November 14, 2024

222 | The Perfect Couple Showrunner on How To Craft A Murder Mystery (ft. Jenna Lamia)

216 | Only Murders In The Building Showrunner John Hoffman: “Write What Delights You”

By The Screenwriting Life | October 3, 2024

216 | Only Murders In The Building Showrunner John Hoffman: “Write What Delights You”

212 | Outlander Writer/Producer Barbara Stepansky: How Winning The Nicholl Fellowship Changed Her Career

By The Screenwriting Life | September 5, 2024

212 | Outlander Writer/Producer Barbara Stepansky: How Winning The Nicholl Fellowship Changed Her Career

211 | Sundance Favorite GHOSTLIGHT’s Kelly O’Sullivan: Indie Filmmaking Beyond LA/NY

By The Screenwriting Life | August 29, 2024

211 | Sundance Favorite GHOSTLIGHT’s Kelly O’Sullivan: Indie Filmmaking Beyond LA/NY

209 | Hacks Creators Paul W. Downs and Jen Statsky: Writing and Selling A Mixed-Tone Comedy

By The Screenwriting Life | August 15, 2024

209 | Hacks Creators Paul W. Downs and Jen Statsky: Writing and Selling A Mixed-Tone Comedy

200 | Discovering & Embracing Your Strengths As A Writer (ft. Showrunner Joey Slamon)

By The Screenwriting Life | June 28, 2024

200 | Discovering & Embracing Your Strengths As A Writer (ft. Showrunner Joey Slamon)

198 | Girls5Eva Creator Meredith Scardino On How To Become INDISPENSABLE In A Writer’s Room

By The Screenwriting Life | June 18, 2024

198 | Girls5Eva Creator Meredith Scardino On How To Become INDISPENSABLE In A Writer’s Room

197 | Inside Out 2 Director Kelsey Mann and Writer Meg LeFauve on How To Approach A Sequel

By The Screenwriting Life | June 13, 2024

197 | Inside Out 2 Director Kelsey Mann and Writer Meg LeFauve on How To Approach A Sequel

183 | How The Animated Film Industry Is Changing (And Why That Matters Creatively): WAR IS OVER Chat, Part 2

By The Screenwriting Life | March 8, 2024

183 | How The Animated Film Industry Is Changing (And Why That Matters Creatively): WAR IS OVER Chat, Part 2

182 | What Goes Into Creating an Oscar-nominated Animated Short?: WAR IS OVER Chat, Part 1

By The Screenwriting Life | March 7, 2024

182 | What Goes Into Creating an Oscar-nominated Animated Short?: WAR IS OVER Chat, Part 1