album reviews Archives | Page 5 of 79

Charly Bliss Flirts with the Brutal Truth

Music

By Kay Hanley | May 31, 2019

Charly Bliss Flirts with the Brutal Truth

Kay Hanley (Letters to Cleo) on the band’s synthy, apocalyptic new album Young Enough.

Oh My God is Awe-Inspiring

Music

By Oliver Hill | May 22, 2019

Oh My God is Awe-Inspiring

According to Oliver Hill (Dustrider), Kevin Morby’s latest is awesome in the religious sense.

Dehd Still Find the Joy in Love

Music

By Loren DiBlasi | May 15, 2019

Dehd Still Find the Joy in Love

Loren DiBlasi (Patio) talks the band’s new debut full-length, Water.

Void of the Narrative, Ian O’Neil’s Favorite Band is the Felice Brothers

Music

By Ian O’Neil | May 3, 2019

Void of the Narrative, Ian O’Neil’s Favorite Band is the Felice Brothers

The Deer Tick guitarist talks the humble clarity of the Felice Brothers

Guided By Voices Have Mastered the Art of Finishing

Music

By Morgan Enos | April 26, 2019

Guided By Voices Have Mastered the Art of Finishing

Morgan Enos (Other Houses) talks Warp and Woof and how the band inspires him to say “pencils down.”

Patio’s Essentials is Disarmingly Mature

Music

By Shehzaad Jiwani | April 23, 2019

Patio’s Essentials is Disarmingly Mature

Shehzaad Jiwani (Greys) talks the NYC DIY band's sequined post-punk.

What A Boost is Serious Music

Music

By Rachel Aggs | April 18, 2019

What A Boost is Serious Music

Rachel Aggs (Shopping) on how Rozi Plain’s new album is “pure joy!”

Dancing Alone at the Waffle House

Music

By Eric Slick | April 17, 2019

Dancing Alone at the Waffle House

Eric Slick on the hallucinatory Americana of Orville Peck's Pony.

John Lennon, Unadorned

Music

By Morgan Enos | April 12, 2019

John Lennon, Unadorned

Morgan Enos (Other Houses) talks hearing John Lennon’s voice as it was meant to be heard on Imagine: Raw Studio Mixes.

Ancestor Boy is Home for the Culturally Nomadic

Music

By Chippy Nonstop | April 11, 2019

Ancestor Boy is Home for the Culturally Nomadic

Chippy Nonstop finds a kindred spirit in Lafawndah’s debut album.